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AURAL CULTURE: |
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41. What composer first used the Scherzo consistently in his Sonatas and Symphonies ?
42. Why was the Scherzo especially suitable as a vehicle for his thoughts ?
43. Does the time-signature of most Scherzos, viz., 3, really express their accent and timeo accurately ? If not, why not ?
44. What do you mean by a Coda?
45. Write eight bars of tune of your own in the manner of a Scherzo in the time of Beethoven.
•16. What is meant by a Trio, in a Scherzo and Trio, or Minuet and Trio ? How did the expression arise?
47. What do you know about Franz Schubert ?
48. Name any other great composer who lived at the same time.
49. What great difference was there between the methods of comÂposition of Beethoven and Schubert respectively?
50. What is meant by a Rondo?
51. Procure a copy of Haydn's Sonata in D (No. 7 in Peters' edition;, and mark on it the beginning of each theme, and of the return of the principal theme, in the last movement (which is a Rondo).
52. Why do you think it necessary for us to try to remember the principal themes of a Sonata movement if we would appreciate it to the full ?
53. How many principal themes are there, usually, in a movement in what is called Son form ?
54. W7hat is meant by the double-bar that often occurs after the principal themes have been announced in such a movement ?
55. What is the object, so far as the listener is concerned, of the "repeat marks" often found placed immediately before such double-bar ?
56. What do we mean when we say that a composer is developing" his ideas or tunes?
57. Write out, in the form of a diagram, the usual plan of most movements in " Sonata form."
58. What writer's name is most intimately associated with Fugal composition ?
59. What writer's name is most intimately associated with the composition of Pianoforte Sonatas ?
60. Try to find out for yourself what is the difference between a Sonata and a Symphony. |
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